As America’s stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up in the Midwest, funded by publicity-hungry candy maker Walter Harvey (Garry Marshall). Competitive sisters Dottie Hinson (Geena Davis) and Kit Keller (Lori Petty) spar with each other, scout Ernie Capadino (Jon Lovitz) and grumpy has-been coach Jimmy Dugan (Tom Hanks) on their way to fame. Madonna and Rosie O’Donnell co-star as two of the sisters’ teammates.
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Marta is a young housewife, married to Dario, a successful book publisher. Although she still loves her husband, Marta hasn’t been able to achieve sexual satisfaction for months due to their dull and predictable love life. While staying in Mantua for the Festivaletteratura, a book fair, Marta follows the advice of her scheming friend Sylvia and pursues an affair with a handsome and mysterious artist named Leon, which leads to surprising results regarding her failing marriage with Dario.
In this sequel, Lillian has been adopted and it’s several years later. Annie, married and pregnant, visits her fellow doctor friend, Dr. Owen. Dr Owen desperately wants a baby, but seems unable to become pregnant. Lillian finds a love interest, an assistant to her adoptive dad, the latter has become quite overprotective.
“This is an entirely imaginary story about the writer Dashiell Hammett, who… in the words of one of his most gifted contemporaries… helped get murder out of the vicar’s rose garden and back to the people who are really good at it. The detective story has not been the same since.” So begins Hammett, the atmospheric and exciting tale of a young mystery writer who really lives the hard-boiled life he writes about — and learns to dig beneath the surface of his characters to reveal their deeper, darker motivations.
Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.
A budding female race-car driver finally meets her racing idol and unbelievably they fall in love…a love that’s quickly put to the test when, having received the chance to show her racing talents, the two find themselves in a race for a multi-million dollar sponsorship contract.
Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.