A team of environmentalists, including a reporter, her camera man, and an environmentalist’s famous girlfriend charter a boat and with the captain, sail to a military island. They suspect the island is hosting to illegal activities. Upon arrival, however, they find no one. They finally reach a deserted house, where they find Dr. Susan Richardson, who tells them that everyone on the island is dead, including her father. Richardson’s team were working on a compound that could make edible plants grow to super size, however the military intervened with plans of their own. They wanted to test the compound’s effects on animals, and proceeded to feed it to several komodo dragons and cobras.
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In the supernatural thriller The Objective, writer-director Daniel Myrick locates the action in a remote mountain region on Afghanistan, where a team of US Special Ops forces is dispatched with the ostensible orders of locating an influential Muslim cleric. While on the mission they find themselves lost in a Middle Eastern ‘Bermuda Triangle’ of ancient evil and faced with an enemy that none of them could have imagined.
The Seasoning House – where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.
Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy (“ex”) boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple’s deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?
After getting a taste for blood as children, Hansel and Gretel have become the ultimate vigilantes, hell-bent on retribution. Now, unbeknownst to them, Hansel and Gretel have become the hunted, and must face an evil far greater than witches… their past.
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.
Five years after the murder of his wife and disappearance of his daughter, former police officer Jeremy Duffin is brought back to help in the hunt for a yuletide monster that punishes children that have been “naughty.” As the monster becomes more erratic and unpredictable, Jeremy learns the truth about the disappearance of his daughter and the fate that has been bestowed upon him by an unlikely source. Can Jeremy finally end the nightmare Christmas monster that has terrorized this town for years?