Two young artists use love as a safety net against the fear and pain in their lives in order to propel them deeper into their art.
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This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic’s captain (Otto Wernicke) to make the swiftest possible crossing to New York. Interestingly, director Herbert Selpin was arrested by the Gestapo during this film’s production, and German censors banned the film for its scenes of panic and terror.
Two clans of snakes cohabit in the desert. Beautiful green serpents that live under the shelter of an oasis, protected and venerated by men and poisonous snakes that survive in the sand, dust and heat, hunted and killed by the Tuaregs. Here is the story of Ajar, a young poisonous serpent, laughed at by his peers because he still has not done his first moult and that of Eva, rebellious princess of the oasis who wants to escape to escape an arranged marriage. These two will meet and fall in love. Alas, Eva will be kidnapped by the Tuaregs and Ajar, accompanied by her best friend, Pitt the Scorpion, will have to cross the ruthless Sahara to save Eva from the terrible fate awaiting her.
Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément’s guilt and Juliette’s lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin’s disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?
After a long interstellar search, man has found a second home: New Earth. After the scientists, the governments, the military and the wealthy, the hopeless masses of Earth too want their chance at a new life on this emerging world of wonder and opportunity. ‘Taking the Leap’ in whatever way, lawfully or not, has become the dream of millions. In order to deal with illegal stowaways and human trafficking on a Biblical scale, specialized police cadres have been activated. In 22nd century London, this is the Inter-Planetary Migration Administration. Confrontations between IPMA units and the smuggling rings are merciless, if not most for those caught in the middle. Jacob Reiss is a conscientious but disillusioned IPMA detective, a veteran with 15 years of service. An encounter with a Cartel prostitute presents him with an opportunity he had given up on, a chance to save himself from a crushing secret in his past, as well as an empty future on Earth.
Serge Tanneur (Fabrice Luchini) is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence (Lambert Wilson), a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.